Early within the second season of We Are Girl Components, a pleasant British collection about an all-female Muslim punk band, a musician attracts inspiration from essentially the most radical individual she is aware of: her adolescent daughter. At first of a jam session, Bisma (performed by Religion Omole) tells her Girl Components bandmates a few latest argument with Imani (Edesiri Okepnerho), who was suspended for throwing eggs at a instructor over the historical past of slavery being faraway from her curriculum—and who likened this motion to Malala Yousafzai’s battle for women’ training. After a fast chuckle, the opposite members encourage Bisma, the one mom within the group, to channel her exasperation into writing new music.
The ensuing track is “Malala Made Me Do It,” a rollicking, irreverent nation anthem that’s an ode without delay to the Pakistani activist (“Nobel prize at 17 / The baddest bitch you’ve ever seen”) and to Bisma’s daughter, whose youthful conviction prompts the band members to replicate on their very own small rebellions (“Stole biscuits from the employees room / Malala made her do it”). In a Western-themed music video that performs out in Bisma’s creativeness, Yousafzai herself makes a cameo: Sitting on a horse, she slyly winks on the digital camera from beneath a beaded hat. The fantasy sequence is a spotlight of this new season, and a neon-hued reminder of what makes We Are Girl Components so particular. From its first episode, the collection has chronicled the band’s makes an attempt to domesticate a significant artistic identification in a world that always fails to see its members as complicated folks, a lot much less artists. In tracing how Girl Components comes collectively, and what it takes to maintain the group collectively, the collection elevates the acquainted narrative of a musical origin story right into a poignant, creative exploration of self-expression and group constructing.
Once I sat down to observe the primary season a bit of over two years in the past, I used to be anticipating to be amused, maybe charmed. And there may be definitely an entire lot of subversive humor within the collection, which was created by the British Pakistani writer-director Nida Manzoor. Two of the primary songs we hear Girl Components carry out are “Ain’t No One Gonna Honour Kill My Sister however Me” and “Voldemort Beneath My Scarf”; a rival Muslim punk band launched in Season 2 is named Second Spouse. However We Are Girl Components is a lot greater than a group of jokes in regards to the absurdities that younger Muslim ladies usually encounter. By turns raucous and earnest, the collection is not like the rest on TV proper now—partly as a result of it doesn’t think about illustration to be a worthy finish purpose of its personal. As an alternative, the present permits its characters to riff on their identities in ways in which replicate how younger folks truly discuss to at least one one other, with out turning into didactic or self-serious.
We Are Girl Components kicked off its first season by introducing an unlikely new member to the already established band: candy, geeky Amina (Anjana Vasan), who narrates the collection. When Amina first encounters Girl Components, the 26-year-old Ph.D. pupil and volunteer music instructor is in determined pursuit of a husband—a storyline that’s definitely acquainted for Muslim ladies on-screen. The truth is, the band persuades her to be its lead guitarist solely by setting her up on a date along with her crush. Amina’s considerations about how different Muslims understand her, and her involvement with the band, animated a lot of the debut season, which established the collection as a intelligent new tackle reductive tropes. Because the Girl Components founder, Saira (Sarah Kameela Impey), wrote within the band’s manifesto, the ladies use music to inform the true truths of their lives, “earlier than we’re mangled by different folks’s bullshit concepts of us.” This season, the present turns its focus to the struggles that many working musicians face: monetary precarity, surprising competitors, and the existential compromises that main report labels anticipate of artists. After the band’s first tour, some conflicts have emerged among the many members, and the present makes use of this distance to zoom in on features of every lady’s life.
Saira, for instance, has lengthy been the group’s righteous ethical middle: When her bandmates talk about the concept of doing a mascara advert, the entrance lady reminds them that they’re “severe musicians, not vapid brokers of capitalism,” then pulls the Girl Components manifesto out of her bag and begins studying from it. However her resolve begins to crack after she’s evicted from her condo, which additionally served as Girl Components’ rehearsal house. Unable to show to her estranged household for help, and determined to lift cash for the studio time Girl Components must report an album, Saira begins to lose sight of the values that outline her. She agrees to do sponsored content material for a sustainable-fashion line; extra disastrously, she meets with a white supervisor who desires to signal the band.
That call units off a series of occasions that forces Girl Components to confront how the musicians’ private and political considerations could conflict with their want to help themselves via their artwork. These questions turn out to be much more sophisticated when thought of alongside a number of the main adjustments that the band members are navigating exterior their music—evolving friendships, new romantic relationships, and the social pressures that include their semipublic profiles.
As a result of Girl Components is a punk band made up solely of Muslim ladies, it’s not simply coping with the sorts of quandaries which will problem trendy artists. So few teams like Girl Components even appeal to a report label’s consideration, each in actual life and on the present. A veteran musician the bandmates meet this season—a Muslim lady blacklisted by labels after refusing to adapt to their imaginative and prescient—cautions Saira towards getting caught up within the pleasure of a shiny report deal. “They’re gonna love having you on the posters,” she says. “However don’t you allow them to overlook that you’ve got a voice.” Shortly after, when Saira broaches the concept of tackling political matters on the brand new Girl Components album, the band’s supervisor tells her it’s out of the query: “There’s no ‘Atrocity Bangers’ playlist that you could be on.”
The best way that this stress metastasizes—first inside Saira, after which throughout the band—makes for a number of the most trustworthy and compelling discussions of creative authenticity that I’ve seen on TV. It’s not simply the brand new supervisor who balks at Saira’s sudden dissatisfaction with the band’s type of music. The opposite Girl Components members initially resent the suggestion that they make solely “humorous Muslim songs,” as their musical position mannequin places it—particularly Ayesha (Juliette Motamed), the band’s sharp-tongued drummer.
In a way, the present’s incisive portrayal of this battle is no surprise: Many related conversations will need to have occurred to convey this present into the world. Manzoor not too long ago advised Vulture that the bandmates’ struggles, specifically Saira’s, with the burden of their platform as Muslim artists do replicate a comparable feeling about her personal profession: “Being ‘Zeitgeist-y’ feels prefer it’s non permanent, of the second—however then, no different second?” she mentioned. We Are Girl Components pushes again towards the temptation to just accept this sort of tokenism: Saira’s storyline reveals the risks of letting a shortage mindset dictate one’s artwork.
The present’s frank depiction of Saira’s dilemma, and of one other band member’s queer coming-of-age journey, is a placing achievement in a contracting leisure panorama. Girl Components can’t be every thing to everybody, and the collection is aware of this—in regards to the band, and its personal creative mandate. Because the trade pulls again on range, fairness, and inclusion applications and alternatives for folks of colour throughout the trade—regardless of viewers demand—the all-Muslim writers’ room of We Are Girl Components appears to be like past these slender conversations, as a substitute leaning into the distinct joys and difficulties of the world its characters inhabit. Saira, Amina, Bisma, and Ayesha could really feel like they’ve one thing to show with their first album, however We Are Girl Components has been confident since its premiere. Nothing makes that extra obvious than how Season 2 examines fissures within the band with out sacrificing the present’s exceptional heat.
